Negar Azimi is a writer and editor and occasional curator. She is the Editor-in-Chief of the publishing and curatorial project Bidoun. Her essays, criticism, and reportage have appeared in Bookforum, Frieze, Harper’s, The New Yorker, The New York Review of Books, The New York Times and elsewhere. She has organized recent exhibitions around Van Leo (Hammer Museum), Leyly Matine-Daftary and Manoucher Yektai (Frieze No. 9 Cork Street), Nicolas Moufarrege (CCA Berlin), Reza Abdoh (MoMA PS1; KW Institute), and Fereydoun Ave (Carnegie International; Jameel Arts Centre). With Pati Hertling she organizes the epistolary series Deadlines and Divine Distractions.
Negar Azimi is a writer and editor and occasional curator. She is the Editor-in-Chief of the publishing and curatorial project Bidoun. Her essays, criticism, and reportage have appeared in Bookforum, Frieze, Harper’s, The New Yorker, The New York Review of Books, The New York Times and elsewhere. She has organized recent exhibitions around Van Leo (Hammer Museum), Leyly Matine-Daftary and Manoucher Yektai (Frieze No. 9 Cork Street), Nicolas Moufarrege (CCA Berlin), Reza Abdoh (MoMA PS1; KW Institute), and Fereydoun Ave (Carnegie International; Jameel Arts Centre). With Pati Hertling she organizes the epistolary series Deadlines and Divine Distractions.
Negar Azimi is a writer and editor and occasional curator. She is the Editor-in-Chief of the publishing and curatorial project Bidoun. Her essays, criticism, and reportage have appeared in Bookforum, Frieze, Harper’s, The New Yorker, The New York Review of Books, The New York Times and elsewhere. She has organized recent exhibitions around Van Leo (Hammer Museum), Leyly Matine-Daftary and Manoucher Yektai (Frieze No. 9 Cork Street), Nicolas Moufarrege (CCA Berlin), Reza Abdoh (MoMA PS1; KW Institute), and Fereydoun Ave (Carnegie International; Jameel Arts Centre). With Pati Hertling she organizes the epistolary series Deadlines and Divine Distractions.
